Recently I’ve been exploring more in-depth the texturing process. I had great fun discovering the great potential of Redshift.
I’v been working with UltraBrand Studio and AKQA for Maserati.
The goal was to re-invent the iconic Maserati trident to represent the switch to hybrid generation cars.
I had the pleasure to work alongside the Art Director Luis Cardoso at Saddington Baynes in order to produce this elegant animation.
Joining forces with fine jewellery & watch designers, Marie Boutteçon and Etienne Ruffieux, we helped bring their creative concepts and brand to life, using neuro-led creative production methods.
War is a business and I personally can not stand people and organizations that profit from the suffering of others. These war profiteers should get the recognition they deserve. .
Together we can end these senseless profit-driven wars.
Together we can end this cycle of human suffering. We deserve better, our children deserve better.
Typography is such a great art, I tried to experiment with few letters.
hope you appreciate them.
Playing around with my logo and Redshift render.
I’ve been working at Territory Studio along side with some talented motion designers producing this colourful Sky Vip animation.
Corto Nero is a noir short film based in y home city Napoli. I’ve been collaborating with them since the first edition. That’s what I created for this year, I hope it will be appreciated.
During these quarantine days I tried to focus on some letters rather than the news. Hope you like them.
I had the pleasure of working alongside with Territory Studio team on this beautiful project. I’ve been developing with the other designers the 3D animations, our task was to re-create some of the most iconic 007’s scenarios.
A striking new cinematic experience, 007 ELEMENTS places visitors inside the world of James Bond while revealing how that world is made. Working with EON Productions and Optimist Inc, Territory Studio helped to bring this experiential gallery to life.
Territory credits
Producer: Alice Ceresole
Creative Director: John Sunter
Lead designer: Daniel Højlund
Design and animation: Nick Lyons, Ambrogio Bergamaschi, Melanie Keyzor, Grant Henderson, Alex Blomeley, Ion Oprea, Andrea Malpede
Editor: Andy Schofield
Audio: Adele Cutting
I’ve always found Bertolt Brecht’s words strong and full of love.
In this animation I tried to give life to his powerful concept.
Music video done in collaboration with Akete Recording
2015
Director, editor and motion design: Andrea Malpede
Camera: Rodrigo Rattazzi and Eleonora Tozzi
Starring: Michelle Patrick
Indoor Shooting: Digital Snowball
Music arranged and recorded by The Roots High Quality at Soundivine Studio (Italy)
Voice recording engineer: Markus Cosmic (Cosmic Studio - Finland)
Mixing engineer: Nick Manasseh (The Yard Studio - London UK)
Mastering engineer: T. Lee (Daytona Studio - Florida US) Published by Mighty Prophet Publishing / S2K Music Ltd Original portrait of Limited Edition 7inch by Victor Vint (São Paulo - Brazil)
Graphic design of the vynil by Mux Heartworks (Italy)
Commissioned artwork, print.
I had the pleasure to work with Territory Studio on this big project for Toyota Hybrid. I was focusing on this type-animation as an intro for a series of shots.
Case study inspired by the article of Martha Rosenberg “Big Pharma Wants People on Antidepressants for Years and It’s Working”.
Liberty!
A personal project inspired by the lack of freedom that our specie is facing nowadays. Freedom of movement, freedom of thought. Our freedom is in danger.
I’ve been experimenting around with X Particles and Redshift for this title sequence pitch.
Soon more information.
Replicate, duplicate, multiplicate.
Lines and geometry creating illusionist letters.
An Art&Graft project. Working as part of the Art&Graft in-house team.
And then with the following credits:
Designed, Directed & Produced by Art&Graft
Creative Directors — Mike Moloney
Lead Creative - Will Mercer
Creative - Augusto Gabrys
Producer — Tom Bromwich
Animation — Augusto Gabrys, Andrea Malpede, Will Mercer
A collection of my latest projects.
Breakdown:
0”>0.9”(3D Modeling, animation, and compositing)
0.9”>19” (3D Modeling, animation, and compositing)
19”>29” (3D Modeling, animation, and compositing)
29”>31” (Typography, animation, and compositing)
31”>37” (Typography, animation, and compositing)
37”> 41” ( Camera operator, camera tracking, Video Editing, 3D Modeling, Texturing, animation and compositing)
41”>43” ( Camera tracking, Video Editing, 3D Modeling, Texturing, animation and compositing)
43”>46”” (3D Animation)
46”>56” (Concept, 3D animation, Compositing)
56”>1’,05”(3D Animation)
1’,05”>1’,10”(3D Animation & Compositing)
1’,10”>1’,15”(3D animation)
1’,18”>1’,20”(3D Animation and Compositing)
A collection of few concepts & artworks done in the past years.
Title sequence pitch for an independent short film. 2018
I had the pleasure work with PA’s team on this huge project.
Fifty days in length. Introducing the world’s biggest projection canvas. Staged in celebration of one of the greatest sporting events of the modern era. This milestone projection was our most ambitious artwork to date – illuminating the roof of London’s O2 Arena in honour of O2’s partnership with England Rugby and the launch of the Rugby World Cup.
I had the pleasure work with PA’s team on this huge project.
Fifty days in length. Introducing the world’s biggest projection canvas. Staged in celebration of one of the greatest sporting events of the modern era. This milestone projection was our most ambitious artwork to date – illuminating the roof of London’s O2 Arena in honour of O2’s partnership with England Rugby and the launch of the Rugby World Cup.
Personal project
We are constantly tricked by our eyes, our vision.
Constantly attracted by shiny, useless and sometimes harmful needs.
Wishing a 2018 full of enlightenment for each and every being on this planet.
Happy no fear!
Motion Designer : Andrea Malpede
Sound Designer : Dave Franklyn
I’ve been collaborating with Versus studio for this colourful kid’s tv.
Nickelodeon asked us to work on the UK implementation of a Nick Jr global rebrand. This was more of a production job than creative, delivering over 1200 assets in 2 months, but we still got to add our own touches here and there.
As there are two channels in the UK - NickJr and NickJr2 - we devised an overlapping colourscheme for the OSP elements we created, to give each channel it’s own feel whilst still fitting within the overarching palette. This then ran through into some of the other dual channel packaging, such as the cross channel sting and earcons.
The channel idents were fairly closely based on the Latin America curriculum ids created by the hugely talented Studio Ronda, which we had to create mostly from scratch in Cinema4D. The bumpers & endboards took the US packaging created by Gretel and reversioned it for the two channels, with a few additions on the way. An extra set of Easter-themed idents and earcons rounded off the package.
I’ve been collaborating with North West on this project for PA Consulting. Luckily they gave us lots of freedom to represent business concepts trough creative and abstract animations.
I collaborate with Blac Ionica studio on the Russian tv re-branding.
My role was: 3D Modelling, Design, texturing and compositing.
A collection of various artworks from concept to pitches.
Mexicanito typeface is born from the connection of Pakistanito and Maxicanito.
Sky art mock-up ident
2013